Renowned Nigerian actress Omoni Oboli has voiced her frustration over Ghanaian TV stations airing her films without obtaining the necessary licenses. In a passionate post on her Instagram page on Saturday evening, Oboli called out these local television stations for what she considers a blatant disregard for intellectual property rights.
In her statement, Oboli didn’t just stop at the TV stations; she also criticized the Ghana National Film Authority for its lack of decisive action against such unauthorized practices. Her remarks raised questions about the authority’s effectiveness in protecting the rights of filmmakers and ensuring that proper licensing protocols are followed.
Oboli expressed her determination to take legal action against the offending TV stations, emphasizing the significant effort and dedication that go into producing her films. She highlighted the long hours and sleepless nights spent on these projects, making it clear that she would not tolerate any infringement on her work.
“I love my Ghanaian besties, colleagues, and friends, but you see those TV stations in Ghana, I’m coming for you! The guts to show my movies without licensing! If dem no arrest one of una, you won’t learn! Watch out! Coming for every one of you!” she declared emphatically.
She further elaborated on the seriousness of the situation, stating, “You have no idea how much work goes into these projects. The sleepless nights I have! I’m coming for it all! You will pay for every one of my movies you have shown without permission! In 2025, you don’t understand that’s IP theft?!!!”
Oboli also pointed out that while there may be questions about the existence of a television authority in Ghana, it is ultimately not her concern. “Coming for you all! Clowns!” she added, showcasing her frustration with the situation.
In a show of support, she thanked her Ghanaian friends for sending her screenshots of the unauthorized broadcasts, indicating that she is well-informed about the ongoing violations. This incident highlights the growing importance of intellectual property rights in the entertainment industry and the need for filmmakers to protect their creative works from unauthorized use. As the situation unfolds, many are eager to see how Oboli’s legal actions will play out and what implications they may have for the Ghanaian television landscape.
