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Woli Arole expresses concern over the prevalence of ‘worldliness’ in the Nigerian gospel music industry.

Oluwatoyin Bayegun, widely recognized as Woli Arole, is a popular comedian, actor, and now preacher who has voiced significant concerns regarding the current state of the Nigerian gospel music industry. In a recent statement, he highlighted troubling trends that he believes are undermining the spiritual integrity of gospel music.

Woli Arole lamented that the gospel music scene has increasingly been plagued by “hypocrisy, worldliness, and cabalism.” He expressed his disappointment that these elements have overshadowed the original purpose of gospel music, which is to spread a message of faith and spirituality. According to Arole, these issues have created an environment that is more focused on commercial success than on genuine ministry.

One of the key points raised by Arole is the shift in how invitations for ministerial engagements are extended. He noted that many of these opportunities are now determined by personal connections rather than being led by the Holy Spirit. This change has raised questions about the authenticity of those ministering in gospel music, as it suggests that networking and relationships have taken precedence over spiritual calling.

The preacher also pointed out the growing difficulty in distinguishing between gospel music ministers and secular artists. He remarked that the lines have become increasingly blurred, making it challenging for audiences to identify true gospel ministers. Arole emphasized that this confusion detracts from the essence of gospel music, which should be rooted in worship and divine inspiration.

In a heartfelt post on Instagram, Woli Arole stated: “The level of hypocrisy, worldliness, and cabalism in the gospel music industry in Nigeria is alarming. Oh yes! Invitations are based on who you know, not as the Spirit leads. Music ministers, too—we can’t differentiate whether you’re a performer or a minister. It’s well!”

His comments resonate with many who feel that the gospel music industry needs to refocus on its foundational values. Arole’s call for introspection and change serves as a reminder of the importance of authenticity and spiritual integrity in gospel music.

Woli Arole’s concerns reflect a broader dialogue within the Nigerian gospel music community about maintaining the spiritual essence of the genre in the face of commercial pressures and societal influences. His passionate plea encourages both artists and audiences to seek a deeper connection with the true purpose of gospel music, advocating for a return to genuine ministry and divine inspiration.

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